Athenian Myth fragmented and reduced the Libyan Triple Goddess Athene to Athena, Metis, Medusa and her Gorgon sisters. Gorgo, Gorgon, or Gorgopis was the `Grim Face’- and besides Medusa (Metis), was the title of Athene as Death Goddess. The eldest sister was Medusa, who represented Female Wisdom, her younger sisters were Stheino as Strength, and Euryale as Universality. All were born of Ceto and Phorcys, but Medusa was the only mortal. They were originally beautiful. Like Medusa, they had wings on their back and ankles, and wore the mask of Hecate, the mask of the Gorgon.

In the 7th c. BC, Athenians recreated Athene as their patron Goddess. Through myth the Greeks severed her ancient roots in women’s culture by dividing her from her dark aspect as Medusa and Metis. In the separation of Athene from Metis and Medusa, the two were overlaid; Metis became her mother and Medusa her enemy.

Her mother Metis the shape shifter was said to be the original mother as well as the wisest and greatest of all the gods. To Athenians, she was raped and swallowed by Zeus. Thus Zeus gained his power over the other gods by consuming her ancient lineage along with her immense wisdom. [He used her shape shifting ability primarily to seduce/rape females]. Metis’s wisdom was so great that it impregnated Zeus’s head and from it sprang the new Athena.

Betraying her ancient lineage, traitor Athena became the dutiful daughter who retained only her virginal, fertile aspect. She was the municipal goddess of Zeus’s intelligence, in service of the male-solar ego, making men into heroes who dominate women and nature, and representing the patriarchal values, roles and ideals of Athens. She offers women a new blessed role; absent from the public sphere, and in the service of the male. Women are prescribed the role of virgin, wife and mother. As virgin, proof of his fatherhood is confirmed. As mother, she is the nurse of his children. And as wife she is in devoted service of her man.

In 458 BC, she blatently rejects her mother Metis in Aeschylus’s Oresteia , as she also justifies the priority of men over women; “It is my task to render final judgment here…There is no mother anywhere who gave me birth… I am always for the male with all my heart, and strongly on my father’s side. So, in a case where the wife has killed her husband, lord of the house, her death shall not mean most to me.”(p.161)

Yet Athenas’ character contains many contradictions that show the struggle of the male order to manage her potent past. One example is that her favorite animal is the owl, an ancient symbol of bird of death and regeneration, as well as female wisdom, darkness, night, the moon and mystery. However, Athena never uses the darkness to realize her self.

Athenas’ new enemy Medusa rivaled her in beauty and power. Even Perseus was said to have admired Medusa’s beauty while she was dead, which is why he took her head with him to show the Greeks. When Medusa became a mythological monster, it was Athena herself who made Medusa ugly. According to Ovids’ Metamorphosis, when Medusa was a virgin, she was raped by Poseidon in Athena’s temple. Athena blamed Medusa for the sacrilegious act and punished her by changing her loveliest feature, her hair, into snakes, (at this time snakes were considered revolting). But even the monster Medusa responds to the abuse with rage- a burning charge of a fiery vitality to protect life. From then on she forever uses her powerful gaze to turn her male enemies to stone, among others, Atlas is turned into a stone mountain.

The Symbolism of the Myth

The mythological beheading of Medusa symbolizes the ultimate silencing of female wisdom and expression. It is the act which stops her growth, limits her potential, movement and cultural contributions. She is obliterated and her severed head is flaunted on the Acropolis and other works of art in pride of her and all women’s subjugation by violent men. She is broken and her body enslaved. Her spirit, her mind, her spiritual powers are killed. Her once honored forces of female creativity and destruction are halted. Her role as dynamic mediatrix degraded. Her life-giving, death-wielding powers and wild forces of nature are controlled, tamed, and mastered by the male order. The cycles of life and nature are made to conform to his linear perspective.

Bibliography

Barbara Walker: The Woman’s Encyclopedia of Myths and Secrets, and The Woman’s Dictionary of Symbols and Sacred Objects

Marija Gimbutas: The Civilization of the Goddess